[Jonathan Odell has written extensively about his native state of Mississippi and is the author of the novel, The View From Delphi. This post was adapted from comments Jon made on Kevin Levin's Civil War Memory blog.]
After interviewing many of the “Black Knight” descendants, one thing I’ve learned that concerns them is how easily whites are convinced to idealize the “romantic” relationship between Newt Knight and the ex-slave Rachel. I don’t think they would agree with a commenter who, as quoted on Kevin Levin’s Civil War Memory blog, wrote that “it’s less problematic” that Sally Jenkins and John Stauffer, authors of State of Jones, “sexed up a romantic relationship for the sake of a film” then if they generally misread the meaning of Newt Knight and the Free State of Jones.
Black women in the days following the Civil War were at the bottom of the heap power-wise. Whether Knight’s assumed romantic feelings for Rachel were reciprocated is missing the point. We will never know, because in the context of that era, it was irrelevant. Good for her if she did, but for black mothers in those days, romantic love was not the driving motivation. Who they loved was immaterial to surviving. She had to find the least worst choice that would keep her and her children alive. Sexing up the relationship for a more satisfying (and modern) ending, further obscures the wrenching sacrifices made and amazing courage displayed by black women of that era.
Just another thought. I was raised in Jones County and have been fascinated to find that the Knights were not the only family line that diverged down two paths after the Civil War. Several former slave owners sired black offspring, and in this part of the country, many thought that even your black children were to be cared for. Many acres of land are still owned by descendants of slaves who were bequeathed the parcel by a white father. But in none of these incidents do the direct black descendants assume that anything like romantic love played a part. According to them black women after the War were as much sexual slaves to white men as they were before the war. And interestingly enough, neither do they call it rape. “Taking somebody to the barn,” as they commonly refer to the occurrence, was just the nature of things. I guess that’s why context is everything. Projecting 21st century notions of romantic love onto 19th century southern interracial relations, as Jenkins and Stauffer have done, won’t take us far toward understanding the lives of black, multiracial, or for that matter white women.